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Learn Guitar - G Major Chord

Bach's first cello suite (BWV 1007, the prelude), on the harp guitar, played as intended in G major. 8/1/87 performance at the Maheavy Theater in Great Barrington, MA. Tuning:G1C2C#2A1D2E2G2D3E3A3D4; 0.056 on the harp 5 sub-basses for the string gauge, and 0.056, 0.046, 0.036, 0.026, 0.017, 0.013 for the 6-string guiitar gauages. See http://www.nomadland.com/ for information on Hedges and a fund for his children.

JOHANN SEBASTIAN BACH (1685-1750) Six Suites for Unaccompanied Cello, Suite No. 1 in G Major BWV 1007 1. Prelude 2. Allemande 3. Courante Performed by Yo-Yo Ma

A small fragment from Ton Koopman's DVD "Organ Works. Harpsichord Pieces, Arias". See http://tinyurl.com/fykkh This is Presto from Toccata in G major for harpsichord, BWV 916. The camera operator is an idiot but it's still fascinating to watch, esp. NOT played on the piano for once. If anyone knows of any video of any performance on the *lute harpsichord* (aka. Lautenwerk), let me know.

Stereo: http://br.youtube.com/watch?v=vNx-i4oL6Fs&fmt=18 Jean Baptiste de Lully (1632 - 1687). Chaconne in G Major. Musica Antiqua Köln. Florian Deuter (Violin I) Reinhard Goebel (Violin II). Christian Rieger (Cembalo). Dir: Reinhard Goebel. Born in Florence, the son of a miller, Lully had little education, musical or otherwise, but he had a natural talent to play the guitar and violin and to dance. In 1646, he was discovered by the Duke of Guise and taken to France by him, where he entered the services of Mademoiselle de Montpensier (la Grande Mademoiselle) as a scullery-boy. With the help of this lady, his musical talents were cultivated. He studied the theory of music under Nicolas Métru. A scurrilous poem on his patroness resulted in his dismissal. He came into Louis XIV's service in late 1652, early 1653 as a dancer. He composed some music for the Ballet de la Nuit, which pleased the king immensely. He was appointed as the composer of instrumental music to the king and conducted the royal string orchestra of the French court, Les Vingt-quatre Violons du Roi (Twenty-four Violins of the King) or the Grande Bande (large band). He tired of the lack of discipline of the Grande Bande and, with the King's permission, formed his own Petits Violons. Lully composed many ballets for the King during the 1650s and 1660s, in which the King and Lully himself danced. He also had tremendous success composing the music for the comedies of Molière, including Le Mariage forcé (1664), L'Amour médecin (1665), and Le Bourgeois gentilhomme (1670). Louis XIV's interest in ballet waned as he aged, and his dancing ability declined (his last performance was in 1670) and so Lully pursued opera. He bought the privilege for opera from Pierre Perrin and, with the backing of Jean-Baptiste Colbert and the king, created a new privilege which essentially gave Lully complete control of all music performed in France until his death. He was a notorious libertine. In 1662, he did marry Madeleine Lambert, daughter of Lully's friend and fellow musician Michel Lambert, and proceeded to have ten children by her. But at the height of his career, in 1685, he felt confident enough to flaunt his relationship with Brunet, his young page from La Chapelle. Although his life is full of meteoric heights, his love affairs with boys and women brought him down in scandal several times to the great displeasure of Louis XIV and led to his renown as a sodomite. Despite these scandals, he always managed to get back into the good graces of Louis XIV who found Lully essential for his musical entertainments and who thought of Lully as one of his few true friends. In 1681, Lully was appointed as a court secretary to Louis XIV and was ennobled, after which he wrote his name "Jean-Baptiste de Lully" and was addressed as "Monsieur de Lully". On January 8, 1687, Lully was conducting a Te Deum in honor of Louis XIV's recent recovery from illness. He was beating time by banging a long staff (a precursor to the baton) against the floor, as was the common practice at the time, when he struck his toe, creating an abscess. The wound turned gangrenous, but Lully refused to have his toe amputated and the gangrene spread resulting in his death on 22 March. He left his last opera, Achille et Polyxène, unfinished.

Francis Jean Marcel Poulenc (January 7, 1899--January 30, 1963) was a French composer and a member of the French group Les Six. He composed music in all major genres, including art song, chamber music, oratorio, opera, ballet music, and orchestral music. Critic Claude Rostand, in a July 1950 Paris-Presse article, described Poulenc as "half bad boy, half monk" ("le moine et le voyou"), a tag that was to be attached to his name for the rest of his career. 'Mass in G major : Gloria' Robert Shaw Festival Singers Dir : Robert Shaw

Tips on Playing on a simple g major scale. Chord progression is G Am Bm Am, all in the (diatonic/bolic) scale. Im only using the major scale and the major pentatonic scale(12356). Well actually, im also playing the B minor pentatonic scale at one point.More on that in video "g major scale exercise #2" covering the pentatonic scales Also check out youtuber/bassplayer Blyss' fine tutorial on the major scale for more insight: http://www.youtube.com/watch?v=c_IQvsa44Ks. Go to http://playbassnow.com for more FREE grooves, fills & basslines.

TC Electronic's official video demonstrating G Major and G minor (midi pedal). Note: I am not the author of this video nor do I own any copyrights of it. I just wanted to make the life easier for people willing to purchase a kick-ass multi-effect. PS: It would be great if somebody posted a video reply showing capabilities of this processor. It haven't found any other decent demo of it. Thanks :)

violin: Itzhak Perlman piano: Daniel Barenboim

At the Organ 1977 J.S.Bach: Preludium G major

http://www.dolphinstreet.com/guitar_video_lessons/lesson-52.php - get the TAB on my website. You don't have to play G Major scale note after note - try triads to break away from the scale approach!

violin: Itzhak Perlman piano: Daniel Barenboim

Just a quick idea I came up with. Video effects: COLOR FILTER xml for Windows Movie Maker. I used "Negative orange". Find the effects at http://www.windowsmoviemakers.net/Forums/ShowPost.aspx?&PostID=74030 Audio effects: Audacity How to play audio in G major: Split audio into 6 channels 1st should be lowered an octave (G to G) (Set the percentage to -50%) 2nd lowered by 5 semitones (G to D) 3rd left as is 4th raised 4 semitones (G to B) 5th raised 7 semitones (G to D) 6th raised an octave (G to G) (set percentage to 100%)

This time we explore 2 pentatonic scales to use when playing over a G major tonality.# 1 is a G major (the country sounding pentatonic) - same notes as E minor pentatonic , reuse your E minor pentatonic licks;-) #2 is playing a B minor pentatonic scale, for a more jazzy sound. Go to http://playbassnow.com for more FREE grooves, fills & basslines.

Suzuki violin the 2nd volume electric violin

Ronald McDonald is Satan and every time you eat a Big Mac an angel falls from Heaven and gets raped. HONORS (as of Nov 6): #10 (^a lot!)- Most Discussed (All Time) - Autos & Vehicles - South Korea #14 (v7 because i'm making fun of the scourge of the internet)- Most Responded (All Time) - Autos & Vehicles - South Korea #12 (^a lot!)- Top Favorites (All Time) - Autos & Vehicles - South Korea #5 (^50-something!)- Top Rated (All Time) - Autos & Vehicles - South Korea Shameless plug to another stupid video has been posted. Watch it too.

Guster performing "G Major" at Earthfest in Boston on 5/26/2007

violin: Itzhak Perlman piano: Daniel Barenboim

Stereo: http://br.youtube.com/watch?v=IW4LbCjNFcQ&fmt=18 Georg Philipp Telemann (1681 - 1767). Concerto for viola, strings & continuo in G major. 2nd mov: Allegro. Musica Antiqua Köln. Dir. Reinhard Goebel. To loooneh. Georg Philipp Telemann was born in Magdeburg, the capital of the Duchy of Magdeburg, in 1681. Telemann's family was not particularly musical; his great-grandfather had served as Cantor at Halberstadt, but no one else in his direct family had been involved in music. Telemann's father died in 1685, leaving his mother to raise and oversee the education of the children. They were an upper-middle-class family, and many worked in the church. Telemann began to discover music at age 10, and quickly showed talent, composing his first opera by age 12. But this talent was not approved of by his family. Fearing that her son would pursue a career in music, Telemann's mother confiscated all of his musical instruments and in 1693 sent him to a new school in Zellerfeld (1694-1698), hoping that this change would put the boy on a more lucrative career path. However, the superintendent of this school approved of his talents, and Telemann continued to compose and expand his knowledge of music on his own. By the time he completed his studies at the Gymnasium Andreanum in Hildesheim, Telemann had learned to play the recorder, organ, violin, viola da gamba, flute, oboe, chalumeau, double bass and bass trombone, almost entirely by himself. His travels had also exposed him to newer musical styles, and the music of Johann Rosenmüller and Arcangelo Corelli became early influences. In 1701, Telemann entered Leipzig University intending to study law, perhaps at the request of his mother. It was not long before his musical talent was discovered, however, and he was commissioned to write music for two of the city's main churches. Soon thereafter, he founded a 40-member Collegium Musicum to give concerts of his music. The next year, Telemann became the director of Leipzig's opera house and cantor of one of its churches. His growing prominence began to anger elder composer Johann Kuhnau, whose position as director of music for the city had been encroached upon by Telemann's appointment as a cantor. Telemann was also using many students in his opera productions, leaving them less time to devote to participation in church music for Kuhnau. Kuhnau denounced Telemann as an "opera musician". Even after Telemann's departure, Kuhnau could not regain the performers he had lost to the opera. Telemann left Leipzig in 1705 to become Kapellmeister for the court of Count Erdmann II in Sorau (now Zary, Poland). Here he acquainted himself with the French style of Lully and Campra, composing many overtures and suites in his two years at the post. An invasion of Germany by Sweden forced Count Erdmann's court to evacuate the castle. Telemann apparently visited Paris in 1707; and was later appointed as a leader of the singers at the court in Eisenach, where he met Johann Sebastian Bach. The major position of Telemann's life was his appointment in 1721 as musical director of the five main churches in Hamburg, a position he would hold for the rest of his life. Here Telemann wrote two cantatas for each Sunday, as well as other sacred music for special occasions, all while teaching singing and music theory and directing another collegium musicum, which gave weekly or bi-weekly performances. Telemann also directed the local opera house for a few years, but this proved a financial failure. When the position Kuhnau had once held in Leipzig became vacant, Telemann applied for the position. Of the six musicians who applied, he was the favored candidate, even winning the approval of the city's council. Telemann declined the position, but only after using the offer as leverage to secure a pay raise for his position in Hamburg. When Telemann declined the job, it was offered to Christoph Graupner, who also declined it, paving the way for J.S. Bach. Telemann augmented his Hamburg pay with a few small positions in other courts and through publishing volumes of his own music. Starting around 1740, Telemann's output decreased as he began to focus more on writing theoretical treatises. During this time he corresponded with some younger composers, including Franz Benda and Telemann's godson, C.P.E. Bach. Following the death of his eldest son Andreas in 1755, Telemann assumed the responsibility of raising his grandson Georg Michael Telemann, and beginning the future composer's education in music. Many of his sacred oratorios date from this period. In his later years, Telemann's eyesight began to deteriorate, and this led to a decline in his output around 1762, but the composer continued to write until his death on June 25, 1767.

Johann Sebastian Bach - Brandenburg Concerto No. 3 in G major (BWV 1048). Title on autograph score: Concerto 3zo a tre Violini, tre Viole, è tre Violoncelli col Basso per il Cembalo. Instrumentation: three violins, three violas, three cellos, and basso continuo (including harpsichord). The second movement consists of a single measure with the two chords that make up a Phrygian mode cadence and — although there is no direct evidence to support it — it was likely that these chords are meant to surround or follow a cadenza improvised by a harpsichord or violin player. Modern performance approaches run a gamut from simply playing the cadence with minimal ornamentation (treating it as a sort of "musical semicolon"), to inserting movements from other works, to cadenzas varying in length from under a minute to over two minutes. Notably, Wendy Carlos's three electronic performances (from Switched-On Bach, Switched-On Brandenburgs, and Switched-On Bach 2000) have second movements that are completely different from each other. Occasionally, the third movement from Bach's "Sonata for Violin and Continuo in G , BWV. 1021" (marked Largo) is substituted for the second movement as it contains an identical Phrygian mode cadence as the closing chords. The Adagio from the Violin Sonata in G, BWV 1019a, has also been used. The outer movements use the ritornello form found in many instrumental and vocal works of the time. The first movement can also be found in reworked form as the sinfonia of the cantata BWV 174, "Ich liebe den Höchsten von ganzem Gemüte", with the addition of three oboes and two horns. 1. Allegro. Le Concert des Nations. La Capella Reial de Catalunya. Fabio Biondi (Violino). Pierre Hantai (Clavecin). Marc Hantai (Flute). Pedro Mesmeldorff (Flute). Alfredo Bernardini (Hautbois). Paulo Grazi (Hautbois). Jordi Savall (Basse de Viole). Dir. Jordi Savall.

Great range of notes and colors he chooses in this G major scale blues. Fantastic!

ARCANGELO CORELLI (1653-1713) Trio sonata "da camera" for two violins and basso continuo in G major Op. 2 No. 12 - Ciaccona Performed by the Purcell Quartet

Presented in Demented Vision for your enjoyment

Georg Muffat - Concerti grossi nº5 in G Major: 1. Passagaglia. Grave.

Benedetta 11 y/o plays Mozart